Photo Notes

June 8, 2016

Roberts Park Church #6

Roberts Park Church #6

Roberts Park Church #6

Another stair case form Roberts Park Church. I already mentioned that I like pictures of staircases. I did a shoot a Roberts Park Church a few weeks ago. I was there with the 8X10 camera. Used Ilford HP-5 in case anybody is checking. This was the last shot of the day. I know it was taken with the 8.25 inch Gold Barrel Dagor, you can see the lens. Sweet lens. Shot between f32 and f45. There is an inherent composition in a staircase. A good one combines form, function and a sense of time.

set-up #6

I actually remembered to shoot a set-up shot with the phone. I should do this more often. You can see that the shift is used, pretty much all the shift on the camera. Of course this is because I’m only shooting one side of the holder. You can’t really see that the lens is tilted down, which allows the depth of field to follow the bannister. You can see the top of the Ries Tripod, great tripod. My Leica bag with all the accessories, and thither holders is in the background. Oh, the camera is the Toyo 810M. I think I got the camera back in about 1985? Lot of great stories with that camera and these accessories.

I’ve shot a lot of staircases on commercial jobs. I even did work for a client in Los Angeles that specialized in making custom staircases. You can check out a few of the shots: http://www.siskinphoto.com/architecture1q.php, http://www.siskinphoto.com/architecture1s.php and http://www.siskinphoto.com/architecture1u.php.

If you’d like print of this image, I’d like to send you one. The image will be about 14 inches tall and mounted on cotton rag board (the good stuff). If you use the PayPal link below I’ll even include shipping in the U.S. I appreciate your support.


Also don’t forget my workshops: http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:


Now over 5000 registered users at this blog!!

June 1, 2016

Roberts Park Church #8

Roberts Park Church#8

Roberts Park Church#8

I did a shoot a Roberts Park Church a few weeks ago. I was there with the 8X10 camera. Used Ilford HP-5 in case anybody is checking. This was the last shot of the day. I believe it was taken with the 8.25 inch Gold Barrel Dagor. Sweet lens. I don’t know why I haven’t gotten around to posting any of the stuff I shot on that day. This shot was made in the choir loft.

I’ve always liked pictures of staircases, especially old stone staircases. Check out A Sea Of Steps by Frederic Evans or Spiral Stairs 1 by Linda Butler. Of course this image is really built around the handrails. There is an inherent composition in a stair case. A good one combines form, function and a sense of time. I’ve shot a lot of stair cases on commercial jobs. I even did work for a client in Los Angeles that specialized in making custom stair cases. You can check out a few of the shots: www.siskinphoto.com/architecture1q.php, www.siskinphoto.com/architecture1s.php and www.siskinphoto.com/architecture1u.php.

If you’d like print of this image, I’d like to send you one. The image will be about 14 inches tall and mounted on cotton rag board (the good stuff). If you use the PayPal link below I’ll even include shipping in the U.S. I appreciate your support.


One more thing I wanted to mention: I’m offering individual workshops at my studio in Indianapolis. I’m calling these One on One Workshops. You can choose the subject and the time. I’m hope you’ll sign up soon. How about a day spent working on lighting, or even large format photograph? I hope you’ll check out the One on One workshop at http://siskinphoto.com/blog/?p=2818. You can see other upcoming workshops on my site.

I hope you’ll also check out my books, use the links below:


Now over 5000 registered users at this blog!!

 

 

 

May 27, 2016

Shooting the 11X14 Camera Again!

This is another blog entry that will be part of my Fine Art pages, whenever they get finished. However I’m also going to add information about my evolving work with the 11X14 camera, which I hope will also interest you. I wrote about my first tests with the camera before: check out this entry: http://siskinphoto.com/blog/?p=2871.

The camera shoots an image area of 11X14 inches! Think about that as about 100 times more sensor area than my full frame Nikon D800. One of my goals for this camera is just working with an ultra large format camera. If you’ve never worked with a big film camera you probably won’t understand just how satisfying it is to successfully create with a camera like this. There is a joy that comes from making a photograph with this craft that I don’t get from just pressing a button. I’ve spent a large part of my life perfecting this work, and I just don’t want to stop.

Of course there is more than just being some sort of curmudgeon. There are a few things that you can’t do with a small digital camera. A lot of these involve inviting chaos into your images. I suppose this is why some people have returned to film photography, they don’t want instantaneous images so much as discovered images. My goal for this camera is to mix a high degree of craft and image quality with a process that allows chaotic intervention. So far I’ve been pleased with the results.

In this image you can see that the flowers are surrounded by a glow. This glow doesn’t continue around the shells and leaves the background largely black.

Shells #C v-1

Shells #C v-1


In this alternative version there is only a single flower and the glow is mostly confined to the background.

Shells #H v-1

Shells #H v-1


As I mentioned in the earlier blog, I am shooting Ilford Multigrade paper. I am processing the paper in the studio as I shoot. The exciting part, for me anyway, is that I am re-exposing the paper to light during processing. This process is usually caller solarization (sometimes the Sabatier effect). Usually it’s done on the print, which makes the light areas of the print dark or black creating an overall dark image. The original mid tones of the image preserve some or all of their tone, creating an image that is partially reversed. The image below is a traditional solarization.

Bonnie-Hand Solarization

Bonnie-Hand Solarization. This is a print solarization

By solarizing the negative I’m able to add light rather than black. Because I’m working on such a large negative I’m able to control where I put the additional light. Since I’m processing as I shoot make the negatives I’m able to see how the re-exposure and my image interact.

At this point I’m only offering 11X14 digital prints. The prints are mounted and matted, and the price includes shipping in the United States. Please support the work by purchasing a print! I am experimenting with creating transparent negatives that will enable me to create various kinds of prints in the wet darkroom. I hope to make some of these analog prints available soon.

One more thing I wanted to mention: I’m offering individual workshops at my studio in Indianapolis. I’m calling these One on One Workshops. You can choose the subject and the time. I’m hope you’ll sign up soon. How about a day spent working on lighting, or even large format photograph? I hope you’ll check out the workshop at http://siskinphoto.com/blog/?p=2818. You can see other upcoming workshops on my site: http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:


Now over 5000 registered users at this blog!!

April 11, 2016

Box Canyon #6 (Face)

Filed under: Fine Art Portfolio,Landscape Photography,Large Format Photography — John Siskin @ 2:56 pm
Box Canyon #06 (Face)

Box Canyon #06 (Face)

Another shot from Box Canyon. For somewhat obvious reasons this is subtitled Face. When I was young, in High School, I saw some Edward Weston prints. I think I’ve mentioned elsewhere how much this affected me. As I looked at more of his images I became particularly fascinated with the dune shots. While I did experiment with actual images from the dunes at Pismo Beach, I also looked at rocks and other surfaces with eyes that had seen the dune shots. Light and shadow, texture and smooth, all these things fascinate me. I hope you’ll be interested as well.

I don’t think I noticed the shape of the face when I shot this, but memory is unreliable. I know that I used to climb between the rocks in Box Canyon looking for abstract compositions. This is from a 4X5 inch negative, so it’s certainly made with my Speed Graphic. I also had a Toyo 45C view camera at this time, but I didn’t take it out hiking. I love the Speed Graphic. I got it when I was in High School. I went to one of the old camera stores in Hollywood with my Dad. The guys at the store seemed very old, like they’d been in the store forever. I remember the sales person saying that the rear shutter curtain had been removed from the camera. He said that was a good thing, because no one had ever figured out a way to develop an image that had been exposed on the rear shutter curtain. Sort of an inside Speed Graphic joke. I didn’t really understand it at the time, but as I became acquainted with the camera I figured it out. Speed Graphics have a rear shutter, basically a long ribbon, also most lenses for the camera have a shutter. The rear shutter provided a 1/1000th of a second shutter speed, as well as other fast speeds, which was why the camera was called a SPEED Graphic. I must have got that camera about 1972, and people weren’t using the cameras to do press shots anymore, which meant that you didn’t need the high speeds from the rear shutter. Later on I put a rear shutter back into the camera so that I could shoot lenses that didn’t have a shutter. I wish I remembered more about that purchase, especially about buying the camera with my Dad. It’s been a while since I shot with that camera, but I still have it. Some of my favorite shots were made with that old Speed.

My Speed Graphic camera with the 135mm lens, not the 65mm Super Angulon.

My Old Speed Graphic

As you know I’m adding these images to my blog as part of my re-do of my fine art portfolio pages. I’m also doing it to make these images available. If you’d like an archival print of this shot, please order with the PayPal link. The image will be about 11X14 inches and mounted on 16X20 cotton rag board. I’ll even throw in shipping, if you are in the U.S.

One more thing I wanted to mention: I offer several workshops at my studio in Indianapolis. I hope you’ll check out the workshops at http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:

One more thing: I have more than 4900 registered users at this blog. Wow! Thanks for your support!

April 5, 2016

Rock House #2

Rock House #2

Rock House #2

This is the second image I’m posting from this site. I think this image shows more about the house than the others I made. As I mentioned in the earlier post (Rock House #1). When I look at this picture I look for evidence about the house like the electrical conduit you can see in this shot. I really don’t know much about this site, so I try to extrapolate from the image. Look at the huge logs, I keep wondering where they came from, certainly they weren’t local. The house seems to have had two floors. The logs would have been the support for the second floor. I wonder what the house looked like before the fire.

I’ve recently posted a couple of shots of a waterfall in Box Canyon (Box Canyon #1 and Box Canyon #2). Literally on the other side of the left had rock is this house, or what remains of this house. I came upon the place hiking down the canyon. I had no idea it was there, and there is much less than a quarter mile from where I lived at that time.

Shot with my Speed Graphic of course. I think I used my 135 f4.7 Xenar lens. This probably, certainly, isn’t the best lens Schneider ever made, but it’s a lot better than the lens that’s usually found on a Speed Graphic. I started using a Speed Graphic when I was in High School, back in the early 1970s. I learned a lot about using big cameras through the problems I had. A big source of problems was the original lens I had, which was made by Wollensak. One of the things that makes large format shooting so rewarding are the great lenses, but not all large format lenses are good. Some of the early problems I had were caused by the shutter. I recently got a shutter speed app for my Andriod phone. I went ahead and got the optical sensor for the app; and I have to say it works great! I also really like the Color Temp Meter, Photo Tools, LightMeter & Lighting Studio. One more: Photog Companion, this has model releases that can be filled out on your phone or tablet.

I’ll add more shots from the Rock House soon.

As you know I’m adding these images to my blog as part of my re-do of my fine art portfolio pages. I’m also doing it to make these images available. If you’d like an archival print of this shot, please order with the PayPal link. The image will be about 11X14 inches and mounted on 16X20 cotton rag board. I’ll even throw in shipping, if you are in the U.S.

One more thing I wanted to mention: I offer several workshops at my studio in Indianapolis. I hope you’ll check out the workshops at http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:

April 4, 2016

Rock House #1

Rock House #1

Rock House #1

I’ve recently posted a couple of shots of a waterfall in Box Canyon (Box Canyon #1 and Box Canyon #2). Literally on the other side of the left had rock is this house, or what remains of this house. I know depressingly little about it, other than it’s called the Rock House. Sort of the obvious name. At some time there was fire and the place wasn’t rebuilt. You can still see the blacked surfaces on some of the timbers. The place is built out of rough hewn timber and actual logs. Much of the cabin is the native rock, and, perhaps some of the rocks mortared into the walls are local. The place is absolutely fascinating.

I came upon the place hiking down the canyon. I had no idea it was there, and there is much less than a quarter mile from where I lived.

I have no idea who owned the land. I have no idea when the fire happened. I don’t know when the place was built. In some of the shots you can see flexible conduit for electricity, but I don’t know if the electricity was put in later. I also saw a water heater, but that isn’t in any of my shots. Anyway I leave for you the mystery of the rock house.

Shot with my Speed Graphic of course. There are shoots made with my 8X10 camera, as well as the 4X5, I might add those later. Regardless I’ll add more shots from the Rock House soon.

As you know I’m adding these images to my blog as part of my re-do of my fine art portfolio pages. I’m also doing it to make these images available. If you’d like an archival print of this shot, please order with the PayPal link. The image will be about 11X14 inches and mounted on 16X20 cotton rag board. I’ll even throw in shipping, if you are in the U.S.


One more thing I wanted to mention: I offer several workshops at my studio in Indianapolis. I hope you’ll check out the workshops at http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:

April 1, 2016

Box Canyon #1

Filed under: Fine Art Portfolio,Landscape Photography — John Siskin @ 1:01 pm
Box Canyon #1

Box Canyon #1

This is about the same location of Box Canyon #2, but of course there is just a trickle of water. It’s amazing to think about: all this area is sandstone, laid down as ocean floor. Then it rises up and is sculpted by water. Photography gives me the chance to appreciate the beauty that time and water sculpt. I wonder if I would have learned to see the beauty in these places if I had never picked up a camera. I’m still learning to see, and to write with light.

I came upon this place while hiking down the stream. It’s invisible from the road. The Rock House, which I’ll be adding to these posts in a few more days, is built right against this stream. It must have been amazing to live in this house during a big storm.

As you know I’m adding these images to my blog as part of my re-do of my fine art portfolio pages. I’m also doing it to make these images available. If you’d like an archival print of this shot, please order with the PayPal link. The image will be about 11X14 inches and mounted on 16X20 cotton rag board. I’ll even throw in shipping, if you are in the U.S.


One more thing I wanted to mention: I offer several workshops at my studio in Indianapolis. I hope you’ll check out the workshops at http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:

Box Canyon #2

Filed under: Fine Art Portfolio,Landscape Photography — John Siskin @ 11:44 am
Box Canyon #2

Box Canyon #2

This is another shot from Box Canyon, one of my favorites. There are a lot of places in Los Angeles that have good waterfalls and beautiful streams, in season. The thing is that most of the year this stream is a trickle, or even dry, but after a rain it’s quite impressive. Since I lived just a few hundred yards form this stream I could go there when it was good. I counted once, after a big rain you could see seven waterfalls from the road in Box Canyon.

The only bad thing about shooting steams in Los Angeles the presence of poison oak. Anywhere there was water you also found poison oak. Sometimes it seemed like I was always scratching.

As you know I’m adding these images to my blog as part of my re-do of my fine art portfolio pages. I’m also doing it to make these images available. If you’d like an archival print of this shot, please order with the PayPal link. The image will be about 11X14 inches and mounted on 16X20 cotton rag board. I’ll even throw in shipping, if you are in the U.S.


One more thing I wanted to mention: I offer several workshops at my studio in Indianapolis. I hope you’ll check out the workshops at http://www.siskinphoto.com/workshop.php.

I hope you’ll also check out my books, use the links below:

March 31, 2016

Box Canyon #3

Filed under: Fine Art Portfolio,Landscape Photography,Post-Processing — John Siskin @ 3:09 pm
Box Canyon #3U

Box Canyon #3U


I’m making two versions of this image available today. As before these posts are part of my on going update of the fine art part of my site. If you’d like to purchase either version of this shot be sure to use the PayPal link below the version you want.

These images were made form the same negative, taken with my Speed Graphic. The place is in Box Canyon, which is between the San Fernando Valley and Simi Valley. One of the great things about living in Los Angeles is how many really wild places there are inside the city. Of course wild can be interpreted in several ways, and some areas, like Laurel Canon have been wild in nature and in people. Box Canyon is a little like that: very rustic with a wild population. I lived there for several years, and I still miss it. I’m adding more pictures from this area, so I hope you’ll keep looking at my site and the blog.

The first version of the image uses false color to make the image much more dramatic. I like both versions. I’ve written about the technique I used on this image before, so if you’re interested in the technical details look at this link: http://siskinphoto.com/blog/?p=431

Below is a more neutral interpretation of the negative. All photographic printing involves interpretation; even a “straight” from a chemical darkroom involves choosing a paper and a contrast. Of course Photoshop allows us more room for interpretation, which can be a good thing.

Box Canyon #3

Box Canyon #3


If you’d like to buy a print of either or both versions of Box Canyon #3 please use the PayPal links. You’ll get a print mounted and matted to 16X20-ready to pop into a frame. Why not order one now?

I’m offering several workshops on my site; why not visit now? siskinphoto.com/workshop.php
I hope you’ll also check out my books, use the links below:

March 4, 2016

Old County USC Medical Center #1

Filed under: Architecture,Architecture,Fine Art,Fine Art Portfolio — John Siskin @ 1:42 pm
County USC #1

County USC #1

If memory serves, and I hope it still does, this is the old County USC Medical Center in Downtown Los Angeles. One of the great things about going through the files for the fine art page of my site is that I get to revisit my older images. I believe this shot was made with a 65mm super Angulon, on my Speed Graphic. I really like the combination. The 65 is a little tough to focus on the Speed, and you have to drop the bed, but it does create a great super wide perspective. The lens has great quality so you also get a great large negative, great combination. One of the other things I like about revisiting old negatives is that I can reinterpret them with the tools in Photoshop. Frankly, this image benefited from a little reinterpretation.

I shot a couple of images at this hospital. I expect I’ll add a few more at a later date. The thing is that I only shot exteriors. It was the inside that held the real drama. This was one of the scariest places I’ve ever been. The ground floor had the jail ward, incarcerated and hospitalized at the same time, which can’t be good. I visited a friend there, not in the jail ward. The hospital had wards of patients, rather than private or semi-private rooms. Some of the equipment looked as though it was left over from WW1. The operating theater was used to film the Dr. Kildare series, which give you an idea of when it was new. There is a new County USC medical center now. I wish the people who worked at the old building, and at the new one, wellness.

If you’d like to buy a print of Old County USC Medical Center #1 use the PayPal link below. You’ll get a print mounted and matted to 16X20-ready to pop into a frame. Why not order one now?


I’m offering several workshops on my site; why not visit now? siskinphoto.com/workshop.php
I hope you’ll also check out my books, use the links below:

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