Photo Notes

April 1, 2016

Box Canyon #2

Filed under: Fine Art Portfolio,Landscape Photography — John Siskin @ 11:44 am

Box Canyon #2

This is another shot from Box Canyon, one of my favorites. There are a lot of places in Los Angeles that have good waterfalls and beautiful streams, in season. The thing is that most of the year this stream is a trickle, or even dry, but after a rain it’s quite impressive. Since I lived just a few hundred yards form this stream I could go there when it was good. I counted once, after a big rain you could see seven waterfalls from the road in Box Canyon.

The only bad thing about shooting steams in Los Angeles the presence of poison oak. Anywhere there was water you also found poison oak. Sometimes it seemed like I was always scratching.

As you know I’m adding these images to my blog as part of my re-do of my fine art portfolio pages. I’m also doing it to make these images available. If you’d like an archival print of this shot, please order with the PayPal link. The image will be about 11X14 inches and mounted on 16X20 cotton rag board. I’ll even throw in shipping, if you are in the U.S.

I hope you’ll also check out my books, use the links below:

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March 31, 2016

Box Canyon #3

Filed under: Fine Art Portfolio,Landscape Photography,Post-Processing — John Siskin @ 3:09 pm

Box Canyon #3U

These images were made form the same negative, taken with my Speed Graphic. The place is in Box Canyon, which is between the San Fernando Valley and Simi Valley. One of the great things about living in Los Angeles is how many really wild places there are inside the city. Of course wild can be interpreted in several ways, and some areas, like Laurel Canon have been wild in nature and in people. Box Canyon is a little like that: very rustic with a wild population. I lived there for several years, and I still miss it. I’m adding more pictures from this area, so I hope you’ll keep looking at my site and the blog.

The first version of the image uses false color to make the image much more dramatic. I like both versions. I’ve written about the technique I used on this image before, so if you’re interested in the technical details look at this link: https://siskinphoto.com/blog/?p=431

Below is a more neutral interpretation of the negative. All photographic printing involves interpretation; even a “straight” from a chemical darkroom involves choosing a paper and a contrast. Of course Photoshop allows us more room for interpretation, which can be a good thing.

Box Canyon #3

If you’d like to buy a print of either or both versions of Box Canyon #3 please use the PayPal links. You’ll get a print mounted and matted to 16X20-ready to pop into a frame. Why not order one now?

I’m offering several workshops on my site; why not visit now? siskinphoto.com/workshop.php
I hope you’ll also check out my books, use the links below:

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March 4, 2016

Old County USC Medical Center #1

Filed under: Architecture,Architecture,Fine Art,Fine Art Portfolio — John Siskin @ 1:42 pm

County USC #1

If memory serves, and I hope it still does, this is the old County USC Medical Center in Downtown Los Angeles. One of the great things about going through the files for the fine art page of my site is that I get to revisit my older images. I believe this shot was made with a 65mm super Angulon, on my Speed Graphic. I really like the combination. The 65 is a little tough to focus on the Speed, and you have to drop the bed, but it does create a great super wide perspective. The lens has great quality so you also get a great large negative, great combination. One of the other things I like about revisiting old negatives is that I can reinterpret them with the tools in Photoshop. Frankly, this image benefited from a little reinterpretation.

I shot a couple of images at this hospital. I expect I’ll add a few more at a later date. The thing is that I only shot exteriors. It was the inside that held the real drama. This was one of the scariest places I’ve ever been. The ground floor had the jail ward, incarcerated and hospitalized at the same time, which can’t be good. I visited a friend there, not in the jail ward. The hospital had wards of patients, rather than private or semi-private rooms. Some of the equipment looked as though it was left over from WW1. The operating theater was used to film the Dr. Kildare series, which give you an idea of when it was new. There is a new County USC medical center now. I wish the people who worked at the old building, and at the new one, wellness.

If you’d like to buy a print of Old County USC Medical Center #1 use the PayPal link below. You’ll get a print mounted and matted to 16X20-ready to pop into a frame. Why not order one now?

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February 1, 2016

Vocative

Filed under: Fine Art,Fine Art Portfolio,Micro Photography,Micro Photography — John Siskin @ 4:18 pm

Vocative

This is another image from my fine art micro portfolio. As with most of these images it’s named for a part of speech, rather than called light refracted through a plastic ice cube. I think that the title Vocative is much more, well, evocative.

I enjoy the process of looking through the microscope and other special micro equipment to find the beautiful and the unexpected. You can find worlds in a piece of glass or an insect wing.

This image was made with bellows and a 28mm Schneider Componon lens. I think the aperture on the lens was about f16, but of course the working aperture was much smaller. The digital camera makes it easier to work with microscope lenses and other special optics. A few companies, like Zeiss and Schneider have made special optics for the purpose of photographing microscopic images, but there are actually many choices. You can use the objective from a microscope, with out the rest of the scope, or you can use an enlarger lens. Some of the best lenses are older fixed focal length Nikon lenses, like the 35mm f2.8. Smaller focal lengths give greater magnification, so a wide-angle lens can be a great choice.

If you’d like to buy a print of Vocative use the PayPal link below. You’ll get a print mounted an matted to 16X20-ready to pop into a frame. Why not order one now?

I’m offering a class in working with micro equipment on February 28, just a few more days. You can sign up for just $175. Unlike so many photo safari trips you can go back to the land of the very small again and again. The equipment is not expensive, and this is an opportunity to have a guided tour. This workshop will give you the keys to unlock the doors. I hope you’ll join us! Use this link to find out more about this workshop and to sign up!

I hope you’ll also check out my books, use the links below:

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January 26, 2016

El Matador #4

Filed under: Fine Art,Fine Art Portfolio,Landscape Photography — John Siskin @ 11:11 am

El Matador #4

Another shot of El Matador, this has been named #4 or long exposure for a while, so I’m going to continue referring to it as #4. This is a very long exposure, which is why the surf has the ghostly effect. I’ve always liked the shot, but I like a lot of the stuff I shot at this beach.

It’s another shot I made with the super-wide camera, you can see more about this shot by checking this other shot from El Matador:

I also wanted to tell you about Living in Los Angeles. Often people forget how great it is to live there. I got up early and drove to Mt. Pinos, a little more than an hour from where I was living. I spent the morning cross-country skiing. I left in the early afternoon and drove down to El Matador. Did some body surfing. I was actually in the water when a pod of dolphins went by. Try to do that anywhere but Los Angeles. No picture of the dolphins. Stayed at El Matador to watch the sunset. When I was growing up San Onofre was the family beach. I learned to surf there, then we spent summers at Manhattan beach. I choose El Matador as my beach, everybody should have a beach.

If you’d like to buy a print of El Matador #4 use the PayPal link below. You’ll get a print mounted an matted to 16X20-ready to pop into a frame. Why not order one now?

I hope you’ll also check out my books, use the links below:

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January 21, 2016

Union Station, Los Angeles #2

Filed under: Architecture,Architecture,Do It Yourself,Fine Art,Fine Art Portfolio,Photographic Equipment — John Siskin @ 2:45 pm

Union Station #2

Another shot of Union Station in Los Angeles. This is a beautiful place fallen on hard times. It’s still busy, but people in L.A. don’t use transit service like they do in New York, and trains just aren’t part of the mix in California. Still I’ve take trains out of here a couple of times, and it’s always interesting. It’s also a fabulous place to shoot, but don’t take my word for it-look for Union Station on television. It’s used for a lot of shoots. Consequently the management is difficult about using a camera, and won’t let use a tripod at all. I really like the way the super wide effect changes this building, and I also like the way the people appear in the shot. I particularly like the child on the left side of the frame.

Super-wide Camera

This shot was made with the super-wide camera I build. I used the same one for shots at El Matador and other places. I’ve included a scan of the original negative so you can see the way the lens cuts the corners off on a 6X6cm piece of film. This was always an interesting camera to use. It wasn’t possible to really predict hos the camera would see, or even if the negative would be sharp. So it was always exciting to see the film. You can check out an article I did on making cameras at this link. I hope you’ll check it out.

original scan

Just so I’ve mentioned it my family’s company Angelus Furniture built the benches and some of the other furnishings in this room.

If you want a print of Union Station, Los Angeles #2, use the link below. I’ll send you a print mounted and matted to 16X20 inches. No additional charge for shipping in the U.S.

I hope you’ll also check out my books, use the links below:

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January 19, 2016

Ghost Dog #1

Filed under: Animals,Fine Art,Fine Art Portfolio,Portraits — John Siskin @ 2:22 pm

Ghost Dog #1

This image is from a recent shoot, about a month ago. I like to revisit my images a few weeks after I shoot them, it improves the way I edit the images. I really like the images from this shoot. The dog is huge, and still growing. He has a sort of Mohawk hair cut which gives him a sort of goofy look. The way he’s leaning into the frame builds on this feeling. This is one of the few images I’ve used without cropping, surprisingly one of the others is a dog as well. This dog is a cross between a poodle and a St. Bernard. I’m sure he’ll be interesting and a challenge!

My own dog, a simple chocolate lab, is still unsure of how to behave in front of the camera, but we’re working on it.

Coco & Her Favorite Toy!

I used my Nikon D800 and a Tokina 28-70 f2.8 lens for Ghost Dog #1. I was in the studio with my Norman 900 series strobes. I used the big soft box, a converted Broncolor Hazy Light, and a light panel. It’s important to give enough light, and to have some direction in the lighting, or the dog will appear shapeless.

Anyway if you want a print of Ghost Dog #1, use the link below. I’ll send you a print mounted and matted to 16X20 inches. No additional charge for shipping in the U.S.

I hope you’ll also check out my books, use the links below:

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January 14, 2016

Wheelock

Filed under: Fine Art Portfolio,Micro Photography,Micro Photography — John Siskin @ 12:17 pm

Wheelock

This was one of the first images I made using a plastic ice cube to diffract light. There are a couple of other images made with the ice cubes at my blog:
https://siskinphoto.com/blog/?p=3005
https://siskinphoto.com/blog/?p=2954
https://siskinphoto.com/blog/?p=3099

I found it difficult to title this series of images because the images are about light and color rather than images of things. I thought that Plastic Ice Cube #1 and #2 and so on were not really very good. Finally I decided to use language terms for the images. I learned most of these terms in Latin classes. Eventually I branched out and so this title is the name of the person that wrote my Latin textbook.

The technology I used to make this image was very complex because I was using large format film to get the kind of resolution I wanted. A smaller film format, such as 35mm film, would have been too grainy. I used a 63mm Zeiss Luminar lens on the camera. The lens was almost three feet from the film. Of course there was no built in meter on large format cameras, so figuring exposure was quite complex. In addition to figuring how much light was actually coming through the plastic I had to compensate for almost eight stops of bellows extension. The exposure was several minutes long. The film image is about 20 times the size life size, and any enlargement is bigger still.

Digital cameras have made it easier to visit these kinds of extremely close images. Of course there is still a great deal of confusion about how to do this. I’m offering a Workshop on February 28 that will be a sort of tour of micro photography. You can find out more, and sign up, at this link.

Of course you can order a print of this image, about 12 inches wide using the link below. This image will be about 80 times life size.

A version of this image is also in my book B-Four, however the current image is a significant re-interpretation. I really like the process of re-visiting my images that these blog posts have given me. Even though this image has changed, I hope you’ll consider purchasing the book.

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Beyond 1 to 1 – Going Into Uncharted Territory

Filed under: Micro Photography,Uncategorized,Workshops — John Siskin @ 9:21 am

New date coming soon

This workshop will give you the ability to photograph things smaller than a human hair. You’ll be able to photograph the scales on a butterfly’s wing or the tip of a pen.

The workshop will explain how to use simple tools to shoot amazing pictures. And you’ll have a list of the tools to take you back into the very small whenever you want. The tools are much more inexpensive than you might think: a reverse adapter, which will make a 50mm lens into a powerful micro lens, is only $12! You can get a microscope that will enable you to make an image that is 40 times life size on your sensor (that would translate into an 8X10 print that’s 320 times life size) for just over $100. It’s amazing how a few pieces of inexpensive equipment will unlock an unseen world.

This workshop is a guided tour into this world, but unlike a safari to Africa or voyage to Alaska, you can return to this world whenever you want. You’ll get a chance to experiment with tools you can throw into your camera bag and the tools you’d use at home. This isn’t the kind of gear that you need a lab to use, you can explore at a kitchen table! We’ll work with bellows and extension tubes. You’ll see how to shoot through microscope lenses and enlarging lenses, in fact you can make fabulous micro image with a simple 50mm lens. You’ll also get to shoot with the microscope, and learn how to shoot with your own scope!

The workshop is limited to just 6 people. Each person will be able to use the equipment and make shots during the workshop. If you bring a flash card you’ll be able to keep your shots! You’ll also get an extensive list of tools you might want to get, including a list of gear you can get used. The idea is to unlock the door-to give you a ticket into the unseen worlds!

Please visit my site to see my other workshops and to check out the Free On Line Classes!
You can buy one of my books by clicking on the titles below:

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January 12, 2016

Micro Photography Workshop

Filed under: Uncategorized — John Siskin @ 5:40 pm

Ablative Absolute,
yes that’s the title

I do a lot of microphotography, images of things less than a quarter inch in size, some times small than a human hair. Much of the time I’m exploring the relationships between color and texture and line. I’m trying to explore the unseen, looking for the unexpected. That’s certainly the case in this shot. However one of the first things I get asked when someone sees these images is “What is it?” The idea is of course that a photograph must be a picture of something. I guess I could say that it’s a picture of light, but that usually doesn’t satisfy. So this is a picture of a plastic ice cube. I used to say a fake plastic ice cube, but of course it’s a perfectly real plastic ice cube, intended to be used as a prop. I’ve often made images of plastic ice cubes because, under the right circumstances, they’ll refract light in very interesting ways.

You can get a print of this image by using this PayPal link. Like all of the images I’ve been adding for the fine art pages it’s going to be $125 for a print that’s about 12 inches wide, mounted and matted onto 16X20 board. That includes shipping inside the U.S. I hope you’ll consider purchasing this shot.

MICRO PHOTOGRAPHY WORKSHOP

I think that very small subjects give photographers a unique place to look for images. Often people want to travel to take pictures, as if they can’t find anything interesting unless they go to Africa or Alaska. I’ll admit that travel can open your eyes, give you new ways of seeing, but when you come back everything looks mundane. I want to find inspiration in the everyday, even in a piece of plastic. I want to want to make new images everyday. I can take a voyage to the land of the tiny any time.

Many photographers think of macro lenses when they think of shooting small things. While macro lenses are good tools, they really don’t go small enough. You’re still just looking at a flower or a butterfly with a macro lens. You can go much closer and find that a butterfly’s wings are coated with ribbon like scales, or that a small piece of broken glass could be so interesting.

It costs a lot of money to go on safari. It’s inexpensive to travel into the small worlds. It’s less expensive than buying a new macro lens or a dedicated flash. It can provide endless opportunities for a photographer. Of course it’s good to have a guide, so I’m offering a new Micro Photography Workshop:

Beyond 1 to 1
Going Into Uncharted Territory

This workshop will give you the ability to photograph things smaller than a human hair. You’ll be able to photograph the scales on a butterfly’s wing or the tip of a pen.

The workshop will happen on February 28. It’s a one day workshop and the cost is only $175, but if you sign up in January the cost will be just $135! You can use the PayPal link below to sign up for the Workshop!

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Photo Notes A place to talk about making images.

April 1, 2016

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January 26, 2016

January 21, 2016

January 19, 2016

January 14, 2016

January 12, 2016