{"id":537,"date":"2010-08-16T14:33:24","date_gmt":"2010-08-16T19:33:24","guid":{"rendered":"http:\/\/siskinphoto.com\/blog\/?p=537"},"modified":"2012-04-12T16:54:08","modified_gmt":"2012-04-12T21:54:08","slug":"understanding-new-equipment","status":"publish","type":"post","link":"https:\/\/siskinphoto.com\/blog\/?p=537","title":{"rendered":"Understanding New Equipment"},"content":{"rendered":"<p><a href=\"http:\/\/siskinphoto.com\/macroblog1\/jenb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-538\" title=\"Jennifer With The New Reflector\" src=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jenb-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jenb-213x300.jpg 213w, https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jenb.jpg 712w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a> Last week I was testing some new equipment. If you don\u2019t know what it does I&#8217;m going to be able to use it effectively. Being able to predict and control your results is critical to being a good photographer. You need to know what your actual results are in order to do that. A pro may not take the best picture of a subject, but a pro had better always take a really excellent picture of the subject. For instance I have been at friends\u2019 weddings, not as a shooter but as a friend. There are times when I took a picture the bride liked best, but I didn\u2019t take a picture of the bride and groom and the bride\u2019s mother, nor of the bride and groom and the ring bearer and so on and on and on. Shooting the event, if that is your job, means not one great shot but dozens of good shots. Shooting a home means, not a great shot of the living room, you should get that, but shots of every room. Anyway, I spent time on Saturday shooting with my new reflector, with a live subject. I included a couple of shots here. The device gives a very bright hard light, which mixes in an interesting way with softer light.<br \/>\nI\u2019ve also been working on my next book, about lighting interiors. I really like the challenges of this kind of lighting. I\u2019m going to attach a couple of paragraphs and a picture or two:<\/p>\n<p>When you first look at a room, what forms your first impression? For some it will be color, and others will see the space, still others will be impressed by the contents. When you photograph a room you effectively miniaturize the room, so you need to pay attention to the original feel of a space, or you\u2019ll lose the effect in the photograph. Architectural photography requires a great sensitivity to the feel of a place, in addition to an appreciation for detail.<br \/>\n<a href=\"http:\/\/siskinphoto.com\/macroblog1\/jena.jpg\"><\/a><\/p>\n<p><a href=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jena.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-539\" title=\"Jennifer With The New Reflector\" src=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jena-163x300.jpg\" alt=\"\" width=\"163\" height=\"300\" srcset=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jena-163x300.jpg 163w, https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/jena.jpg 545w\" sizes=\"(max-width: 163px) 100vw, 163px\" \/><\/a> Architectural photography is most often client driven photography, that is you find yourself working for a client. So in addition to your perception of the space you need to be concerned with the way the client sees the space, and what particularly interests the client. If your client is an interior designer he\/she may see a room differently from a painting contractor. Consequently communication is one of the most important skills an architectural photographer will need. You will have to get your client to understand what can be done and what choices will need to be made.<\/p>\n<p>I teach a class in <a href=\"http:\/\/www.betterphoto.com\/courseOverview.asp?cspID=179\">commercial photography<\/a> , as well as classes in <a href=\"http:\/\/www.betterphoto.com\/courseOverview.asp?cspID=71\">lighting<\/a> and <a href=\"http:\/\/www.betterphoto.com\/courseOverview.asp?cspID=71\">portraiture<\/a> at BetterPhoto.com. I hope you will check out the classes soon. My first book: <a href=\"http:\/\/www.amazon.com\/Understanding-Controlling-Strobe-Lighting-Photographers\/dp\/1608952428\/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1275336253&amp;sr=8-1\">Understanding and Controlling Strobe Lighting: A Guide for Digital Photographers<\/a> will be published in the fall you can pre-order it. I have a new  magazine article coming out in September about strobe power. You can see  it in Photo Technique Magazine.<br \/>\nThanks, John<a href=\"http:\/\/siskinphoto.com\/macroblog1\/downstair.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-540\" title=\"Downstair\" src=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/downstair-300x267.jpg\" alt=\"\" width=\"300\" height=\"267\" srcset=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/downstair-300x267.jpg 300w, https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/downstair.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"http:\/\/siskinphoto.com\/macroblog1\/F2395932.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-541\" title=\"Staircase\" src=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/F2395932-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/F2395932-201x300.jpg 201w, https:\/\/siskinphoto.com\/blog\/wp-content\/uploads\/2010\/08\/F2395932.jpg 673w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/><\/a><br \/>\n<a href=\"http:\/\/www.tkqlhce.com\/click-3818565-10456361?cm_mmc=CJ-_-2915075-_-3818565-_-Branded%202%20468x60\" target=\"_top\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.lduhtrp.net\/image-3818565-10456361\" border=\"0\" alt=\"Branded 2 468x60\" width=\"468\" height=\"60\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Architectural photography is most often client driven photography, that is you find yourself working for a client. So in addition to your perception of the space you need to be concerned with the way the client sees the space, and what particularly interests the client.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"_links":{"self":[{"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/537"}],"collection":[{"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=537"}],"version-history":[{"count":7,"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/537\/revisions"}],"predecessor-version":[{"id":547,"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/537\/revisions\/547"}],"wp:attachment":[{"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siskinphoto.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}